Oh, hell yes! Dude, that yellow is gorgeous. Here's mine: And here's an EVG I converted to be more SGV-like : |
In reply to this post by tabbycat
I've had my eye out for Shergolds in the US for years... I'd give a toe for the model that Porl King (Rosetta Stone, et al) uses. |
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In reply to this post by PMowdes
My most used guitar is a Hohner G3T which is similar to the headless Steinberger "bat" guitars and with the same bridge.
The stock pickups were utter shite but I swapped them for a Dimarzio Super Distortion in the bridge and single coil size Lil'59 humbuckers in the middle and neck positions (they are obviously very similar in tone so I want to swap one for a single coil of some description and am open to suggestions). It sounds amazing now, really toneful and with bags of sustain which you probably wouldn't expect from a guitar like this. The bridge is also the best I've ever used. Locks into a fixed bridge position which is rock solid, and can dive bomb to loose strings without ever going out of tune. I find it perfect. I need to swap the pots to get it back to it's best because they've got a bit scratchy, but when it's done I know it will be my most used guitar again. Another big plus with this is I play guitar most often sat behind a desk and the compact dimensions and leg stand make is really easy and comfortable to use in a fairly tight space. I've got a number of other guitars including a Gibson LP Standard, Fender Lite Ash Strat and a top of the line at the time Japanese Ibanez RG770FM and still this is the one I pick up 90% of the time. |
I'm partial to my own lovely axe:
Hanson Firenze T-90, one of the slickest guitars I think I've ever gotten my hands on. Has a nice, barky P90 at the neck and a hot-wound bridge pickup (I remember measuring it at almost 10k) so you get the bite without the ice-pick which is awesome. The middle position especially just sounds gorgeous. Super quality all around, and it has an absolutely glorious FAT neck, fattest one I think I've so far seen and it's AWESOME. If only I could play the fucking thing with any degree of skill...
Through all the worry and pain we move on
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In reply to this post by IvIark
Here's a little black sheep of mine:
This one is a rescue project. I might have posted this here before, I honestly can't remember. Just in case, this is his story: This lady wanted to get her some a guitar for his birthday. Not being that knowledgeable and not knowing what a personal choice a guitar can be, she called the First-Act custom shop (yes, they actually make some nice guitars, not just the starter packs in Wal-Mart) and had them build a guitar for her son. She didn't go full-on Warmoth or anything, but it's not a crap guitar either. So, the brat turned his nose up at it and she put it on Ebay where the body style caught my eye. I bought it for a steal and then took it completely apart. It turns out the wood and build quality is very nice. The tuners sucked, the bridge was so-so, and the pickups sucked. Plus they took a gorgeous guitar body and made it as boring as possible. It looked like this when I got it (note the three original control knobs): I gave all of the dismembered parts a good thorough cleaning and then body and neck back together. I went all gold hardware, which is rare for me, but it looks nice with the blue. I cut my own pickguard (nasty business!) to house two angled (cause it looks cool) gold lipstick tube pickups (GuitarFetish) and decaled it with a gold Sun emblem. I then installed a gain/bass/mid/treble preamp: I had to drill a 4th control hole. Luckily this guitar had plenty of space for it in the control cavity. It's a little beast now. |
Love the First Act! I know the guitarists from Kvelertak use them after recording/ touring with Baroness who use them too.
My son has a really nice First Act too - one of the semis though I can't remember the model. We swapped the pickups in that for some De Armond Gold Tones he got for a steal on ebay, put series/parallel/split switches in it and a varitone for good measure. Oh, and a Guitar Fetish vintage trem as well. |
My early 50's Thin Twin:
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My early 50's Supro:
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In reply to this post by Kinski
Woah those look sick Kinski!! Bet those pickups sound great!
Have you ever tried a Harmony Stratotone? My buddy has a couple and at first I thought they looked pretty ugly but one strum (even unplugged) and I was in love. I guess they just made the neck overly thick so that they wouldn't need a truss rod and that had some amazing magic effect on the sound. They are so unbelievably resonant and sweet sounding, I want one! |
In reply to this post by Kinski
That Thin Twin reminds me of this guitar I had in for repairs a while ago.
Mid 50's Roger (made by Rossmeisl) in a sorry state. Bridge pup was completely open. Someone glued a jack socket under the scratch plate. Busted knobs. The bridge was a very early model that floated like a violin bridge and had set wire hammered into slots for intonation (missing one here). Sadly I can't find the "after" pic but it left me looking much better and played OK just. Customer didn't want to pay for a new pickup winding which was a shame but I enjoyed working on it all the same. |
Yeah, they both sound great.
Both have huge necks. Like baseball bats. I especially like the Supro. Those pickups are single coils, and they sound huge. |
A squire vista super sonic has just gone up for sale on ebay (UK), if only I had some money :( http://www.ebay.co.uk/itm/Fender-Squier-Super-Sonic-Guitar-Upgrades-/232003227452? |
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